Visual Arts

An art-historical perspective on interactive media art that provides theoretical and methodological tools for understanding and analyzing digital art.Since the 1960s, artworks that involve the participation of the spectator have received extensive scholarly attention. Yet interactive artworks using digital media still present a challenge for academic art history.

Considering the latest advances and developments in the arena of digital media, this book explores current materials, methods and applications of digital technology in art therapy.It looks thoroughly at the many potential uses and benefits of digital technology in art therapy practice, including the use of stop motion animation and therapeutic light painting photography. A worked example of how digital art therapy can be used in the treatment of traumatic brain injury is also included. The book explores innovative therapeutic uses of digital technologies such as gaming and virtual worlds.

Learn how to edit images and create compelling digital art with Glimpse, the newest open source alternative to Adobe Photoshop and GIMP. This book explores Glimpse's broad selection of tools and features that can create beautiful (raster) digital art; painting, drawings, and art created from photos by applying one of the many filters to create artistic effects.
You will quickly become acquainted with this powerful program and understand how to use workspace tools and layers. You will learn step-by-step how to correct exposure, digitally retouch and repair damaged photos, and handle just about any photo editing task—even colorizing grayscale images.

In Dismantling the Patriarchy, Bit by Bit, Judith K. Brodsky makes a ground-breaking intellectual leap by connecting feminist art theory with the rise of digital art. Technology has commonly been considered the domain of white men but-unrecognized until this book-female artists, including women artists of color, have been innovators in the digital art arena as early as the late 1960s when computers first became available outside of government and university laboratories.

Human beings have always made images, and to do so they have developed and refined an enormous range of artistic tools and materials. With the development of digital technology, the ways of making images - whether they are still or moving, 2D or 3D - have evolved at an unprecedented rate. At every stage of image making, artists now face a choice between using analog and using digital tools. Yet a digital image need not look digital; and likewise, a hand-made image or traditional photograph need not look analog. If we do not see the artist's choice between the analog and the digital, what difference can this choice make for our appreciation of images in the digital age?