Visual Arts | Degree Course

Born in Bryan, Texas, and raised in Houston, Dorothy Hood won a scholarship to the Rhode Island School of Design in the early 1930s, then worked as a model in New York to earn money for classes at the Art Students League. On a whim, she drove a roadster to Mexico City with friends in 1941 and ended up staying for more than twenty years. Hood was front and center at the cultural, political, and social crossroads of Mexico and Latin America during a period of intense creative ferment.

An illustrated examination of one of Hirschhorn's "precarious" monuments, now dismantled. Part-text, part sculpture, part architecture, part junk heap, Thomas Hirschhorn's often monumental but precarious works offer a commentary on the spectacle of late capitalist consumerism and the global proliferation of commodities.

This book discusses the synthesis, performance and applications of ceramic materials. Chapter One presents the recycling of biomass ashes in the obtaining of clay bricks for possible use as construction material. Chapter Two summarizes the use of nanostructured ceramics for the control of heat flows. Chapter Three deals with analytical modelling of thermal stresses in a multi-particle-matrix system with isotropic cylindrical particles which are periodically distributed in an isotropic infinite matrix. Chapter Four deals with analytical modelling of thermal stresses which originate during a cooling process of an elastic solid continuum. Chapter Five provides recent information on the use of zirconia in dentistry, its characteristics and indications, with a particular emphasis on surface conditioning methods to promote adhesion of resin-based materials to zirconia.

This ebook presents the work of 30 contemporary artists who have turned to clay to shape their most innovative ideas into stunning works of art. From cups shaped like crystals to a tree trunk made of porcelain and stoneware planters painted to look like ladies, popular curator and blogger Kate Singleton collects here whimsical pieces with narrative, graphic, curious, and organic qualities that blur the line between fine art, design, and craft. Ceramics is a vital guide to an evolving medium and for those interested in the future of art and craft.

Color explains how color captures mood and helps communicate meaning, as well as how to use color to create personal, expressive works of art. In Artist Toolbox: Color, painters will learn how to create impactful work with an understanding of basic color theory.

Taking a practical approach to colour, Colour: A Workshop for Artists and Designers is an invaluable resource for art students and professionals alike.

This book introduces the reader to the art of sculpture across five millennia up to the present, and from the Near East to the west.

Colours have the power to stir emotions and awaken memories. Artists are not unique in their use of colour; scientists, psychologists, designers, writers and others also understand the power of colour.

The study presents data and commentary from 55 institutions that manage digital image collections, including museums, historical societies, botanic gardens, churches colleges and universities, government agencies and others.

The relevance of painting has been questioned many times over the last century, by the arrival of photography, installation art and digital technologies. But rather than accept the death of painting...

Painting the Impressionistic Landscape teaches artists how to replicate the distinctive style of the 19th century art movement with step by step tutorials using watercolor and acrylic paints.

This book represents a research endeavour in the area of contemporary sculpture, describing an unexplored tendency in the development of the relationship between sculpture and the natural elements, referred to here as Elemental Sculpture.

Don't Get a Job, Make a Job explores strategies for graduates to gain exposure in the creative industries - including design, fashion and advertising. Too often a design or architecture degree is seen as a means to an end (a job in an established practice). But imagine for one moment that there are no employers, no firms to send your CV to, no interviews to be had what would you do?

There has never been a longitudinal study of creativity of this magnitude. Its findings will be useful to, and have implications for, several audiences: parents, teachers, counselors especially vocational counselors university and college instructors, and educational administrators.

This book is an investigation of the way the Aboriginal art phenomenon has been entangled with Australian society's negotiation of Indigenous people's status within the nation. Through critical reflection on Aboriginal art's idiosyncrasies as a fine arts movement, its vexed relationship with money, and its mediation of the politics of identity and recognition, this study illuminates the mutability of Aboriginal art's meanings in different settings.

This book brings a practitioner's insight to bear on socially situated art practice through a first-hand glimpse into the development, organisation and delivery of art projects with social agendas. Issues examined include the artist's role in building creative frameworks, the relationship of collaboration to participation, management of collective input, and wider repercussions of the ways that projects are instigated, negotiated and funded. The book contributes to ongoing debates on ethics/aesthetics for art initiatives where process, product and social relations are integral to the mix, and addresses issues of practical functionality in relation to social outcome.

Techniques and procedures for collecting and analysing different types of data are examined and analysed in detail. The skills necessary to promote the effectiveness and validity of research within the creative industries are highlighted in case studies, all of which also demonstrate what a well-designed research project can achieve.

Drawing from the classic philosophical texts, this book on the art of analyzing arguments is also relevant to today's undergraduates in its use of real-life examples and exercises drawn mainly from media and politics.

"Pop culture is often maligned as fleeting, but history shows that sometimes what is pop in one culture has time-honored resonance in later ones. This book is an attempt to show that pop culture, especially as seen through the lenses of design, illustration, satiric and political art (and other things), is integral to a broader understanding of who we are and where we are going."--Steven Heller, from the Introduction.

How have theatre and performance research methods and methodologies engaged the expanding diversity of performing arts practices? How can students best combine performance/theatre research approaches in their projects? This book's 29 contributors provide hands-on answers to such questions.

This is a guide to the practice of researching for graphic design projects. This book explains the key terms and theories that underlie design research; examining the importance of audience, communication theory, semiotics and semantics. It features a range of case studies that demonstrate how the use of rigorous research methods can form the basis of effective visual communication and design problem solving, eschewing end product analysis for a discussion of the way research feeds into the design process.

The American Actors Careers Guide is a self-directed practical guide specifically for actors graduating from theatre programs to assist them in moving towards success using the same kind of business/career planning so frequently offered to graduates in non-arts programs.

This book brings a practitioner's insight to bear on socially situated art practice through a first-hand glimpse into the development, organisation and delivery of art projects with social agendas. Issues examined include the artist's role in building creative frameworks, the relationship of collaboration to participation, management of collective input, ethics and wider repercussions of the ways that projects are instigated, negotiated and funded.

This selection of essays examines the future of art in a changing world.

Ever since Plato expelled the poets from his ideal state, the ethics of art has had to confront philosophy's denial of art's morality. This book argues that art insists on this tradition of denial, affirming its singular ethics through negativity. Ronen treats the mechanism of negation as the basis for the relationship between art and ethics.

Environmental sustainability and human cultural sustainability are inextricably linked. Here are 23 essays by musicologists and ethnomusicologists, anthropologists, folklorists, ethnographers, documentary filmmakers, musicians, artists, and activists, each asking a particular question or presenting a specific local case study about cultural and environmental sustainability.

Portfolios have always been artists' most valuable tools for communicating their talents to the outside world, whether to potential employers or galleries or clients. But the days of sketches and slides have given way to arrangements of digital assets that are both simpler and more complex than their traditional analog counterparts.

This is an art and industry of fashion design guide. Many interwoven elements that form the tapestry of fashion are examined including sustainability and technology.

This is a guide to financial and career success for artists and students wanting a reliable reference tool to guide them through aspects of the art industry.

The book is clear and comprehensive and contains a wealth of advice on all aspects of a project including your project proposal.

The author explores different art worlds to investigate who artists are (and who they're not), why they do the things they do, and whether a sense of vocational calling and the need to make a living are as incompatible as we've been led to believe.

This book is the standard guide for mastering the complexities of effective writing in professional practice.

This book provides information to assist you to embark upon your research project and write your proposal with confidence. It is written with the needs of undergraduate and postgraduate students as well as practitioners in mind,