First Nations Resources

Noel Tovey's previous memoir, Little Black Bastard (Hodder Headline Australia 2004, shortlisted Victorian Premier's Prize for Indigenous Writing, Australian Human Rights Award) chronicled his extraordinary life – from a childhood lived in poverty, through to his international stage career, return to Australia and eventual reconciliation with his past. In this uplifting new work, Tovey crafts a tale that reveals a creative and sensitive spirit. And Then I Found Me is the triumphant story of his stellar career in London as an actor, singer, dancer, choreographer, director and curator. For more than 30 years, his stage productions reached audiences across Europe, South Africa and Australia. Martin Luther King's assassination, the dismantling of apartheid, the criminalisation of homosexuality and the rise of AIDS create a backdrop to this bold recollection of glamour and politics. As a trailblazer for Indigenous people and an advocate for underprivileged artists, Tovey's new memoir is both moving and timely.

This remarkable true story pays tribute to a band of Aboriginal boys who grew up together in one group home - many succeeding spectacularly in later life. In 1945, Anglican priest Father Percy Smith brought six boys from their Northern Territory home to an Adelaide beach suburb. There, they became the first boys of St Francis, a place that would house 50 such boys over 11 years. Some were sent, with the blessing of their mothers, to gain an education. Others were members of the Stolen Generations. In their interviews with Ashley Mallett, many of these men recall Father Smith's kindness and care. His successors, however, were often brutal, and the boys faced prejudice in a wider world largely built to exclude Indigenous Australians. 'The Boys from St Francis' is a multi-layered tale of triumph against the odds - using the early building blocks of education and sporting prowess. Many of them went on to become fiercely effective advocates for Aboriginal causes, achieving significant progress not just for themselves, but for Aboriginal people, changing their world for the better.

The memoirs and paintings that Rod Moss has produced during the last 35 years are unique in their dramatisation of the lives of his trusting Aboriginal family and have been critically acclaimed nationally and internationally. In his third memoir we follow the nurturing of the curiosity and openness that has fastened him to the luminous power of Central Australia and its First Peoples. From the foothills of Victoria's Dandenong Ranges and his city-based art education, we are taken to the Mallee where he first embraces the climate most conducive to his wellbeing. He returns to the city and is invited to participate in Melbourne's dynamic experimental small school movement. A year is spent in the USA studying the teachings of Armenian philosopher George Gurdjieff in a rural community ‘Shenandoah' farm setting. Travel widens Moss' perceptions and continues to pique his curiosity. A trip to a Pilbra Indigenous community opens the door on the Aboriginal world that he will spend the rest of his life coming to terms with. In Crossing the Great Divide, Rod Moss shows the reader through his formative years in 1950s and 1960s Victoria, and through young adulthood in the 1970s. He weaves his experiences together with sensitivity and a painterly eye.

This book presents journeys of sixteen Indigenous Australian athletes from their first touch of a 'footy' to the highest levels of Australian football and rugby league, conceptualized as a process of learning. The authors challenge simplistic explanations of Indigenous success in Australian football and rugby league, centered on the notion of the 'natural athlete'. The book traces the development of Indigenous sporting expertise as a lifelong process of learning situated in local culture and shaped by the challenges of transitioning into professional sport. Individually, the life stories told by the participants provide fascinating insights into experience, culture and learning. Collectively, they provide deep understanding of the powerful influence that Aboriginal culture exerted on the participants' journeys to the top of their sports while locating individual experience and agency within larger economic, cultural and social considerations. Stories of Indigenous Success in Australian Sport will be of interest to students and scholars across a range of disciplines including Indigenous studies, physical education, education, sport management and sociology

This is a memoir of an Aboriginal woman, Tjanara Goreng Goreng, who began life without any of the advantages of her fellow non-Indigenous Australians except for grit, humour and diverse talent in spades. Life was tough and poor as an Aboriginal kid in No Go, in remote Queensland. Tjanara navigates the treacherous waters of her childhood, immersed in the legacy of 200 years of brutal treatment of her mother's people that has left its suppurating scars deep in their psyche. Tjanara's parents believed that education was the only way to break through systemic poverty, and found ways to send all five children to school that were at once desperate and fraught. A disempowered people are vulnerable to exploitation and abuse – in her case, by the Catholic clergy. A strong-willed, successful student and athlete, after graduating from university, the times were ripe. She found her place in the new era of federal policymaking: land rights and self-determination, initiatives on health, education, and social justice that were spearheaded by Charlie Perkins and his bright young people.

Looking at the views and experiences of three generations of indigenous Australians, this autobiography unearths political and societal issues contained within Australia's indigenous culture. Sally Morgan traveled to her grandmother's birthplace, starting a search for information about her family. She uncovers that she is not white but aborigine--information that was kept a secret because of the stigma of society. This moving account is a classic of Australian literature that finally frees the tongues of the author's mother and grandmother, allowing them to tell their own stories.

Aboriginal and Torres Strait Islander culture and society has existed on this continent for millennia. It's a culture that manifests itself as the ultimate example of resilience, strength and beauty. It's also a culture that has consistently been led by its women. My Tidda, My Sister shares the experiences of many Indigenous women and girls, brought together by author and host of the Tiddas 4 Tiddas podcast, Marlee Silva. The voices of First Nations' women that Marlee weaves through the book provide a rebuttal to the idea that 'you can't be what you can't see'. For non-Indigenous women, it demonstrates the diversity of what success can look like and offers an insight into the lives of their Indigenous sisters and peers. Featuring colourful artwork by artist Rachael Sarra, this book is a celebration of the Indigenous female experience through truth-telling. Some stories are heart-warming, while others shine a light on the terrible realities for many Australian Indigenous women, both in the past and in the present. But what they all share is the ability to inspire and empower, creating a sisterhood for all Australian women.

Mate, you're standing on stolen land.'Returning is a stunning work – a poetic and visual feast that takes you on Kirli's journey of rediscovering self, Country and Connection. Kirli's heartfelt experiences address large contemporary themes of decolonisation, self-determination, Identity, First Nations matriarchy, queerness, justice, love, liberation, and truth-telling. The backdrop to Returning is a time of huge upheaval with natural disasters, COVID and the Black Lives Matter Movement. Each poem is accompanied by evocative and poignant artwork that was created in response to its poem and vitalises its meaning. The artworks, visual poems, were originally shown at SHAC Gallery, Gundungurra land, in 2021 in the exhibition named Returning. Kirli's multi-disciplinary artworks span across a range of mediums and displays, including but not limited to water colour, ink on hand-dyed silk, synthesising digital imagery with text, and installations of hand-crafted possum skin cloaks and weavings. Returning was developed with consultation and guidance from First Nations Elders, Custodians, academics and artists.